Creative writing in non-fiction Essay

Creative nonfictional prose (also known as literary or account nonfiction) is that weapon of piece of music which employs literary Styles, techniques and artistic vision usually associated with fiction or poetry to create factually accurate narratives on actual persons and events. Creative nonfiction contrasts with other nonfiction, such as technical typography or journalism, which is also rooted in accurate fact, still is not primarily written in service to its craft.It is a hybrid of literature and non-fiction beca role it comprises of Non-fiction elements and literary elements which are essay form, write up/narration, explanation/exposition, roam/scene/setting, standard rhetorical patterns, characterization, focuses on ideas, facts (not just now language),author personally engaged, researched facts, literary voice/feel, artistic, instinctual, polished language. The primary winding goal of the creative nonfiction writer is to communicate information, just like a reporter, but to mold it in a way that reads like fiction.As a genre, creative nonfiction is still relatively young, and is only beginning to be scrutinized with the same critical analysis given to fiction and poetry. Though only recently identified and taught as a distinct and separate literary genre, the roots of creative nonfiction run deeply into literary tradition and history though has been in use as forward as 1970s but was originally made official in the year 1983 in the linked States of America at a meeting convened by the National Endowment for the Arts to deal with the principal of what, exactly, to call the genre as a category for the NEAs creative writing fellowships.The NEA long recognised the art of nonfiction but has been trying to find a way to describe the category so writers would understand what kind of work to submit for consideration. Essay is the term used to describe this artful nonfiction, but it didnt really capture the summation of the genre for the NEA or lot s of other folks experimenting in the field. Technically, scholars, critics, and academics of all sorts, as well as intelligence operationpaper op-ed reporters, were writing essays, although that was not the kind of work the It had in mind.Journalism didnt fit the category, either, although the anchoring element of the best creative nonfiction requires an aspect of reportage. For a bit the It experimented with belles-lettres, a misunderstood term that favors style over substance and did not capture the personal essence and foundation of the literature they were seeking. Eventually one of the NEA members in the meeting that day pointed off that a rise up in his English department was campaigning for the term creative nonfiction. That rebel was Professor lee side Gutkind. Forms within this genre are personal essays, narrative, travel writing, food writing, biography, literary journalism, and other hybridized essays. Personal essay is a good deal a free-wheeling device of self- expression. If you ever want to experiment with prose and with loosened structure, this is where you can do it. A memoir is a piece of autobiographical writing, usually shorter in nature than a comprehensive autobiography.The memoir, especially as it is being used in publishing today, often tries to capture certain highlights or meaningful moments in ones past, often including a contemplation of the meaning of that event at the time of the writing of the memoir. The memoir may be more emotional and concerned with capturing particular scenes, or a serial of events, rather than documenting every fact of a persons life (Zuwiyya, N. 2000). Literary journalism refers to the use of fictional techniques in writing a work of nonfiction.In other words, its a true, well-researched, journalistically-sound story that might normally be written in a dry newspaper manner that has been rather written with style, vivid rendering, and narrative flow that immerses the reader in the story. The quali ty of the writing used to severalize the story is just as important as telling the truth of the story. Narrative history is the work of writing history in a story-based form. It can be divided into two subgenres the traditional narrative and the modern narrative.Traditional narrative focuses on the chronological order of history it is event driven and tends to marrow squash upon individuals, action, and intention. Modern narrative typically focuses on structures and general trends. A modern narrative would break from morose chronology if the historian felt it explained the concept better. Docufiction (often understood as docudrama) is a neologism which refers to a cinematographic work in a genre mixing fiction and documentary. Docudrama is wrongly used as a synonym of docufiction, confusing drama with fiction.The use of docufiction is common in television, consisting in illustrating facts or events with actors. The term docudrama is apter in this sense. The term docufiction is s ometimes used to refer to literary journalism (creative nonfiction). Controversies over the legitimacy of creative nonfiction, some(prenominal) as a term and as a genre flares up regularly, perhaps even annually. In recent years, several well-publicized incidents within the United States have called into question the truthfulness and factual standards of creative nonfiction. disposed(p) its different styles and characteristics, it is not held to the same journalistic ethics and standards as direct reporting or news publications. Its allowances of artistic license to authors are not standardized, and some have accused writers of glorification of interpretation, and even of fabrication. A recent example of these incidents is the James Frey controversy in regards to his memoir A Million Little Pieces, create in 2003. In his memoir, Frey claimed to certain experiences (claim to have helped a high school friend sneak out with her boyfriend on the night she died in a car wreck.But, acco rding to thesmokinggun. com, police reports and the girls family indicate Frey had nothing to do with the tragedy. ), which purported to be a memoir but contained fictionalized events, is unmasked in 2006. Such scandals front to inspire frenzies among literary and cultural critics, an excuse for predictable (but nevertheless often satisfying) expressions of Schadenfreude and sanctimonious pronouncements about fair play in Art. Writers are warned to not be too creative with weaving their stories, however.If you add characters, dialogue, invent scenes and alter facts, you move to the realm of historical fiction, a noble genre but still, fiction. Lee Gutkind, an English professor at the University of Pittsburgh, credited as the founder of the creative non-fiction movement. Theres this research aspect of creative non-fiction (Ethics of Literary Non-fiction) that you cant get away from that a lot of writers try to skip over or do without. Authors seem to be getting the emotional asp ects of a nonfiction topic across successfully. legion(predicate) authors try to carry the emotion with anthropomorphism or an abundance of exclamation points, rather than building the story in such a way that the natural drama of it comes through. Sometimes, the descriptive language is not as reinforced as it could be. Nonfiction authors are more likely to use a simple, somewhat familiar description rather than searching for a more evocative, unique way of saying the same thing. Works Cited Gutkind, Lee (2007). The Best Creative Nonfiction, Vol.1. New York W. W. Norton, xi. ISBN 0393330036. Johnson, E. L. Wolfe, Tom (1975). The New Journalism. London Pan Books. ISBN 0330243152 Wyatt, Edward. Best-Selling Memoir Draws examination, The New York Times, 2006-01-10. Anderson, Chris (1989). Literary nonfiction theory, criticism, pedagogy. Carbondale Southern Illinois University Press, xix-x. ISBN 0809314053. Nancy E. Zuwiyya, School Library Journal, Foxs work, Colombia, Heinemann Libr ary (Chicago, IL), 2000